Sarah Pucill leads a practical and discursive workshop exploring re-enactment as a method for engaging with photography, writing, and film.
The session will focus on imagining a “coming alive” of the photographs of Claude Cahun and Marcel Moore, and on translating still images and textual fragments into other imagery. Participants will consider how gesture, framing, repetition, and performance can be used to extend the meanings of archival material.
Drawing on Pucill’s long-standing engagement with feminist, queer, and experimental film practices, the workshop invites participants to think through re-enactment not as reconstruction, but as a speculative and affective process.
No prior filmmaking or photography experience is required.
£12 or according to pocket. Book here
